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After this and Hook, it’s no wonder Spielberg saw fit to temper his treacly instincts, at least for a time, and tackle more substantial and weighty dramatic and action-oriented material in the years to come.26.
Twilight Zone: The Movie (1983)" data-reactid="77"26. Twilight Zone: The Movie (1983)Always, but mercifully shorter, Spielberg’s contribution to 1983’s Twilight Zone: The Movie anthology film is an illustration of the director unwisely indulging his sappiest instincts.
Spielberg’s latest — about a lawyer tasked with securing the release of a captured American spy in Russia during the Cold War — should likewise inspire similar heated discussion.If that sounds both ridiculous and sappy, it plays that way too, with Richard Dreyfuss’s protagonist proving an aw-shucks bore who returns from the dead to invisibly help his former flame (Holly Hunter) get over his death and move on with a young hunk.Related: 25 Deep-Dives Facts About ‘Jaws’" data-reactid="75"Related: 25 Deep-Dives Facts About ‘Jaws’Always works so hard to be moving that it becomes off-putting.Whether working in drama, science fiction, fantasy, romance, or horror, Spielberg has exhibited an unparalleled ability to thrill, move, enlighten, and inspire.
Moreover, one of the joys of his filmography is arguing about how his films compare to each other.Spielberg’s segment is a remake of the TV show’s 1962 episode “Kick the Can,” about a dreary retirement home whose elderly residents are given a jolt of fresh life when a new tenant (Scatman Crothers) appears on their doorstep.